The Principal of The Art Chronicle, Tsvetana Yvanova,
is an active and multifaceted Artist, Sculptor, and a Designer. The Bulgarian born artist has studied
Fine Art with Prof. Angelakov of the Art Academy "Nickoloay Pavlovich", while she earned her Masters degree in Landscape Architecture. Attending the accredited MBA program at Graziadio School of
Business, Pepperdine University has had a profound
effect on her understanding the dynamics of art and business. Influences like Christo, Franz Klein, Andy
Warhol and Architects John Lautner and Tadao Ando,
have left their mark on the aesthetic credo of
Tsvetana as an artist. Since 2005, Tsvetana Yvanova's work was presented in four individual exhibitions
throughout California. The Art Chronicle is an online publication of Tsvetana Yvanova Fine Art.
Massimiliano Gioni's exhibition, "The Encyclopaedic Palace", will present an eclectic mix of work both by established and self taught artists. For Gioni, this show is "a way of reminding us that the artists that sell at auction aren’t the only...
The wide booths of Art Basel Hong Kong have enabled exhibitors to bring some more experimental works among the usual fair fare. A giant sword, glazed mosaic breasts and even a rolled-up Volkswagen Beetle contribute to works that stop people in their...
Tate Liverpool—the first outpost for the museum outside of London, which helped revitalise the Northern industrial city—celebrates its 25th anniversary today and it’s certainly getting its share of well wishing. Arts organisations around the...
While there are high-profile new arrivals at this year’s Biennale, including the Vatican, other small states have been forced to pull out or have faced debate over their selection process. Last year, Singapore’s National Arts Council elected not to...
In order to have an official pavilion at the Venice Biennale, a country needs to be formally recognised by the Italian government. While this makes it sound as if the world’s most prestigious art event has no place for “outsider” states such as...
The Art Newspaper: What are the themes and questions raised by your exhibition? Massimiliano Gioni: The title is taken from a project that Marino Auriti, a self-taught American artist, presented to the patent office in Pennsylvania in...
Increasingly porous geopolitical boundaries and the ever-more cosmopolitan background of artists are allowing contemporary curators to make bold choices in Venice’s national pavilions. At this year’s Biennale, France and Germany are swapping...
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