BOGDAN ALEXANDROV – A Modern Bulgarian Master

28 06 2013

Dear Friends, it has been a while… forgive my inconsistency! While the desire to write about artistic events and work that interest me is as usual boundless – time seems to be the only limitation. However – for those of you who enjoy these writings, that come from the heart of my love for Art , I am restarting my writing with this post– about a Bulgarian artist, whose work has crossed boundaries. I have always wanted to devote special posts to my Facebook ‘discoveries’. Some of these Artists  are unbelievable.1  Susanne Kessler ( a sophisticated installation Artist from Germany ), Philip Geist, Ross Ashton ( brilliant Multimedia artists from Germany and Great Britain ) ,  Cliff Garten ( a California Public Artist with incredible visions) to name a few.  These artists have something in common – they are absolutely brilliant! And inspirational!

     SUSPENDED (E)MOTION

As I promised in the beginning – I only show you artists who have in some way astounded me and inspired me. That is a promise I will keep! So before I resort to presenting each an every one of them in time, allow me to present you a very talented and masterful BOGDAN ALEXANDROV, whose latest work, that was exhibited in Yuzina Gallery(2013) –  I also encountered on Facebook.  The genuineness of his vision is undisputed. His latest exhibition in Sofia  has created quite a sensation. It id here – on the West coast by means of digital  media. The large canvases  by Bogdan Alexandrov convey a certain mood, that seems to captivate the viewer and leave a lasting impression. AndBOGDAn ART (3) makes us think. Makes us relate to the people in the images. ” What are they thinking? What are they talking about…? “After these questions fade away , we discover that it does not really matter. What matters is – that these paintings have captured a moment in time – that will never happen again. The eternal ‘now” as the Zen philosophy points it. The only moment that actually exists.

Regarding his method, in Mr.Alexandrov’s own words: ” Nowadays , people document life with greater ease than ever.” Says the Artist. ” Equipped with new technology, reporters, filmmakers and artists are “capturing” images constantly. The digital medium transmits images in a format, where the image is reduced to a time code and is modified by the imperfections of he optical systems being used.” These imperfections have been superimposed and intelligently used as the foundation of his method, that is difficult to define – by creating the illusion of the movement, without the still  frames…

BOGDAn ART (4)The Artist: “In my works I depict the characters by synthesizing multimedia images in a series of transitional transparencies. Their hands, faces, gestures and movements are in a state in which the conventional two-dimensions representational painting is replaced by the dynamic of the movement.”

The Artist Bogdan Alexandrov lives and works in Bulgaria, his website and his blog  are: http://bogdanaleksandrov.blogspot.com/

Enjoy !

Your Truly.

IMG_0016

Tsvetana  for

TheArtChronicle

For Your Viewing Experience – Below is Bogdan Alexandrovs List of Exhibits

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Bogdan Aleksandrov, Born in 1960, Vidin, Bulgaria.

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1989 – “St. Cyril and Methodius” University, Veliko Tarnovo, Bulgaria,

M.A. in Fine Art Painting.Lives and works in Vidin, Bulgaria.

Solo Exhibitions:

2012 “Purgatorium”, Rayko Aleksiev gallery, Sofia, BG. Curator Desislava Moneva.

2012 “Creation from nothing”, St. st. Cyril and Methodius University Veliko Turnovo, BG. Curator Georghi Minchev.
2012 “Local cooling”, Gallery L’Union, Plovdiv, (BG), painting.

2010 “Panta rei”, painting, Novi Sad, Serbia.

2010 “Noise”, Sofia City Gallery, Sofia,(BG), painting, sound installation.

2008 “Entrebaillement” Cite International Des Arts, Paris, France,  Video projection and performance

2008  “mixed”, Art Alley Gallery, Sofia, (BG), digital print, painting, video,drawings.

2007 “Initial E”, Gallery L’Union, Plovdiv, (BG), Video installation, work on handmade Japanese paper.

2007 “Replacement” , Nikola Petrov Gallery, Vidin (BG), painting and video projection,  curator Gordon Carter

2006 “Residual image”, Narodni muzej, Zajchar, Serbia

2005 “Residual image”, Stara Capetanjia Art Gallery, Zemun, Belgrade, Serbia and Montenegro

2003 “Anthropomorphous version”, National Art Gallery, Sofia (BG)

2002 “My Glagolitsa”, painting, Sofia Art Gallery, London (UK)

2001 “Shores”, painting, King’s Head Gallery, Presteign, Wales (UK)

1999 “Metamorphoses of the Instant”, painting and plastic arts, “Art 36″ Art Gallery, Sofia (BG)

1997 “DURE” Art Gallery, Timishoara, Romania

1997 “Stalbata” Art Gallery, Sofia (BG)

1994 Painting, “Spectra” Art Gallery, Veliko Tarnovo; “Ilia Beshkov” Art Gallery, Pleven (BG)

1993 “Agora” Art Gallery, Reshitza, Romania

1993 Painting & Drawing, Art Museum, Kalafat, Romania

1992 Painting, “Nikola Petrov” Art Gallery, Vidin (BG)

1990 Painting & Drawing, Higher Institute of Architecture, Sofia (BG)

1990 “Version of Progress”, Kinetic installation, Higher Institute of Architecture, Sofia (BG)

 

 

 





WHY I SCULPTED THE PRESIDENT

22 09 2012

THE PRESIDENT’S PORTRAIT FINALLY IN BRONZE!!!

By Tsvetana Yvanova

The story behind this work is long. It started in the spring of 2010.

I was asked often – Why did you sculpt the President?
The main inspiration behind the President’s sculpture portrait are Mr. Obama’s character, individuality and intelligence.
As an Artist – for portraiture, I am attracted to subjects, who posses a unique blend of character features, which are seemingly unrelated, but in reality are deeply interconnected. Mr.Obama’s features are of such nature. His contained radiance, his charisma stems from his deep belief and his deep caring for all Americans, regardless of age, financial status and color. This universal quality comes from the depth of his desire to awake the passion of millions and sparkle a call to action to make a difference –this is what made him inspirational.

When a person with such global vision ignites an idea, which comes from this love and compassion for all people – people follow. He managed to begin restoring the world’s respect and admiration for America – so tarnished during the previous presidency.
The historical fact that Barack Obama is the first black President is indisputable. This fact has a significance within our country and outside its borders. With in the US – it gave hope to all who have given it up – outside the US – his election proved to the world that America has changed and all the
shadows of the dark past were just that – shadows.

On a personal level – I have discovered subtlety in Mr. Obama’s character qualities, which make him more powerful. His kindness, his calm and collected demeanor blends with the resilience and enhances remarkable strength that he possesses. Artistically, I am only interested in the character of a subject, so I can give the sculpture a personal presence . In the case of Mr. Obama – this was not an easy task, since I have never met him in person. When I finished it in clay, one viewer made a remark , I will never forget “ Oh my God – he is ready to talk?”. This gave me the assurance that maybe I have accomplished my goal

That evening it was also the first time anyone would view the President’s Portrait in bronze. For all who viewed it that night, I hope I have created and image of a remarkable man, whose personal presence inspires and at the same time makes us ask ourselves questions. One question comes to mind: How far are we willing to go to make the United States of America the greatest country in the world once again? Are we ready ? Can we do it? We all know the answer.

Yours Truly,

Tsvetana

For The ArChronicle





TURNING DREAMS INTO BRONZE

6 06 2012

 PORTRAIT OF NICK

The story of this portrait is probably most unusual and has more depth  for  me than anyone else.  Our story started officially on June 3d. But it began a year before that. I have no intention of boring you with details of how I met Nick – but the truth is  it was   an accidental unexpected stroke of  simple destiny.  The suddenness, the beauty and the poetry of it -   will stay with me forever.  Instant bond.  He had this inexplicable capacity to bring the best in people.  Our connection ignited into a wonderful exchange of moments where we would literally finish each other’s thoughts.

On our first trip on Roamer III – he  invited me for lunch. Lunch was an hour away by water  from Marina Del Rey to Redondo Beach.  In  a warm California day in June, there is no better place to be than on water off the coast. The ocean  at this time of the year  is dark blue with playful ripples  as far as the eyes can see.  The coolness of the water, maintaining the steady 64 degrees Farenheit  offsets the summer heat. This extravagant gesture was meant to impress me – and that it did ! Magnificent ocean  views aside – on a purely intellectual level, I  always had a fascination of Motor Yachts  as well – their compact design, the aerodynamic grace, with which they are seeming gliding  on the surface, while reaching depths to preserve balance. The  inherent wisdom of their utility, where nothing must be in excess, except quality – the fine balance between necessities and  luxuries. The lack of space was complimented by high quality of craftsmanship and ingenuous design. Like a giant jewelry box  - everything in Roamer  III was well maintained, despite the fact that she was ready to be retired.

I was very new at Yachting – and fascinated immensely – being at awe of the ocean to begin with.  Roamer III was a lady. What a brave adventurer she was – a wanderer.  She could be tosses left and right – but always maintained balance.  (I believe it has a lot to do with technology on board.)  Roamer and I were quickly became best friends.  I loved the way the engine hummed away  – while gliding    through the surface of the water making its way towards the breakers.  I had to learn the terminology – ‘top deck’  ‘starboard’ and ‘port’  – and  at some point I even graduated to navigating it for an hour   in open ocean and was able to dock Roamer back into her slot, without wrecking it !

That particular day – it was a beautiful day in  June  9th  in early 2000  -  on top deck , on our way to Redondo Beach  - I observed him very carefully . It was sheer joy to see Nick navigate or dock his 75 foot ‘Princess’,  with focused and precise movements, that came  so naturally to him.  His profile was so distinctively British and hansome with the unruly long hair and bronzed skin. There was a remarkable unity between the color of his Celtic blue eyes and the color of the Pacific ocean at that moment. I    marveled the moment   -  while he watched me  be enthralled with the school of dolphins, that were  racing  the yacht.  I  wanted to remember this moment forever.  He  looked incredibly content in his reserved quiet kind of  way – given away only by the glimmer in his blue eyes!  I took some photos. This moment – the ocean, with all its blue power ,  the joy  of dancing dolphins,  Nick with  his boundless passion for yachting and me – all in one place  - will stay with me until my last day .

In the summer of 2005, I was getting ready for an art  show and I wanted to make a sculpture portrait of  Nick  as a surprise. The thought stayed with me for a long time. It always takes me a while before I make a decision to sculpt or paint someone close. In spring 2005 I finally started. I decided to  use water based clay, because it allowed me to work faster and achieve a more spontaneous effects.  His long unruly hair was a challenge – but it worked out well. Nick was   a  passionate Contemporary Art Collector with rather avant-guarde  taste and the portrait needed to reflect his persona and his visionary temperament.  There was something inspirational about him, that does not lend itself  to defining in words. I finished the piece on time and was able to cast it on time for the show.  As the show approached – I was  hoping Nick will come. He was out of town – in Cleveland, where he maintained a permanent residence – a place he loved very, very  much and where he spent a great deal of time.

The Art reception and opening were on July 9, 2005.  Attendance was fantastic –  Tony Michaels  piano virtuoso and Carol Chaikin  on trumpet  -  filled the air with  exquisite jazz improvisations;  everyone had a wonderful time. The next two days brought great  sales too.  Reception was at the Balboa Bay Club,  in Newport Beach. Nick did not come. He could not make it -  he sent someone else  instead  as an act of grace. He always used to do this. His impeccable  blue blood manners were his signature. After the show we talked  a  lot. A couple of weeks after the show we were planing to have dinner as soon as he returns from his short trip to London and Bordeaux, France. That was the last time we spoke.

He never  went to France.   Nor  to London that month. He never  even saw his portrait . Things developed with lightning speed. On August 19 – I received a call. Nick had undergone a six hour emergency operation, from which he did not wake up. It had happened the day before.

But the portrait,  remained  as a pure embodiment of that beautiful June afternoon, when  the stars  were aligned and the world was happy – Nick was happy – and I was extatic. He literally changed my perception of life. He brought out the best in me. That moment – I try to capture  in his subtle smile. His  head is tilted, looking down at the rotor handling  with absolute  precision  the   Read the rest of this entry »





ANGEL – THE PRISONER- ARTIST

6 03 2012

THE SAN CLEMENTE FREE SPIRIT

That January morning,  the 12th,  I accidentally caught on a TV clip about a prisoner, who  started painting in prison. San Clemente – if I am not mistaken. This man, of Mexican descent,  incarcerated for something he did in, was in  great pain and deep  remorse of his actions.  Pouring out his pain     -  and  his disappointment  from his own mistakes by drawing on the prison wall. In these brief few minutes, the presenter let him speak. He said, that when he draws and paints – he is at peace.e has time to think and look deeper in his soul. He kept drawing on the walls, with (permission of the guards) without  having any formal training. His enthusiasm was so contagious, that the other prisoners started supplying him with  whatever they can, so he can continue his work. Pencils, crayons.
It was admirable! Watching this human being, who fell  prey to circumstances and his  to  own temper perhaps, and entrapped himself – to elevate himself and rise from the ashes of self-destruction. He found a way to awaken a   talent , he did not know he had  – and found a noble  way to bypass anger and  channel  it into  a whole new level  of thinking.

Talk about the transformational quality   of Art!
It made me think  about imprisonment  of the spirit. Imprisonment of the spirit, that has nothing to do  with walls  – everything to do  with the limitations in our minds. Do we imprison our spirit when  we  surround ourselves with people, whose superficiality is  numbing ? Do we imprison our spirit when we distract ourselves with things that have no relevance to the world around us or within us? Do we imprison our minds when we squander valuable time and devote time to  exploring limiting belief systems, that impose on us ready-made values, impose on us how to think, how to react -to the point that we become a mere reflection , not a source?
Angel – the  imprisoned person with a   free spirit – made me think.
The power  of this unusual  uplifting of a human being still stays with me. The paintings were a pure expression of his pain. The mural was executed in mixed medium  – crayons, pencils and acrylics – whatever he finds.  (I presume there are no art shops in prison…. ). Not only does he lack the conventional environment of being an artist – not only is he lacking in mental stimulus of his environment  by virtue of a formal art education!  Yet the little glimmer of opportunity, time and space became his main motivator. After all – he does have the encouragement of the other prisoners and even of the prison guards, who gave him a permission to draw and paint. He needed permission to draw!!!!!

Think about it!
The sheer focus and determination he had! Many of us would try to achieve and sometimes it simply does not work. Could it be that the more freedom and  time we have – the less our desire to value it?

Could it be that the very presence of obstacles generates light and power beyond one’s expectations not only to overcome but  to excel?

Is it any wonder that some of the greatest creations of art have been created under impossible circumstances. Maybe the obstacles are simply  a spark plug that gets the desire to create in a  mode, that  overrides the trivial,  the unimportant and  the minutia?
Some of us create, because they love art and have spent time to develop their  skills and talents and want to share with the world. We simply breathe and live Art. Others create – because they have an obligation for a project or  a commission  or a gallery. Lucky ones! And then there are  many levels of creativity  between the highly skilled professional and the dilletante. But to create in the face of insurmountable obstacles  – is probably the highest form of Art.  What he lacks in  training – complements in inner desire to express  and  reflect the life-changing experience  his life.

Angel – the prisoner – artist , whose spirit  is anything but imprisoned. I was hoping I could find some  photograph of his work – but none was accessible. What I saw – was a complex composition, a large mural, depicting the events of his life, that lead him to this corner. So, I have no pictures  of Angel nor of his murals.  Just a deep impression from an accidental TV show about a prison and an incredible human being. And a deep admiration of the human spirit  and the  transformational power  of Art.

Stay inspired, my friends! Stay inspired, despite all odds! Stay inspired – no matter what!

Yours truly,

Tsvetana for TheArtChronicle

PS.The photo inset above is by Gerhard Richter.

And the Signature Image below is a Painting by this Author..





TONY CRAGG – ABSTRACT SCULPTOR

10 02 2012

One cannot not notice once in a while a giant  among us. A giant, that is the same height, same stature like everyone of us – only his  mind and his prolific resume make him a giant. Meet Tony Gragg. An unbelievably prolific sculptor – in a class of his own.

Tony Cragg was born in Liverpool, England in 1949. Internationally recognized as one of the leading abstract sculptors of his generation, Cragg has produced a highly influential body of work centered on the manipulation of shapes and surfaces as they relate to the human environment. Using such diverse materials as bronze, glass, and found objects, Cragg has created enigmatic works that meld bio-morphic shapes with otherworldly textures. In 1988, Tony Cragg was awarded the Turner Prize from the Tate Gallery, London, England. Tony Cragg has exhibited in museums throughout the world including The Corcoran Gallery of Art, Washington D.C.; The Contemporary Arts Museum, Houston, Texas; the Tate Gallery, London, England; Musee National d’Art Moderne – Centre Georges Pompidou, Paris, France; Wiener Secession, Vienna, Austria; and Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain.

London Art Award nomination Tony Cragg: ‘I’m not a religious person—I’m an absolute materialist—and for me material is exciting and ultimately sublime. When I’m involved in making sculpture, I’m looking for a system of belief or ethics in the material. I want that material to have a dynamic, to push and move and grow.’

The Telegraph: “His move away from assemblage towards a material freighted with art-historical baggage could well have made Cragg look antediluvian. But as a show at the Scottish National Gallery of Modern Art reveals, over the last 20 years Cragg not only faced the challenge but revelled in it, making bronzes that weigh many tons, and yet look as though they’d been freed from the laws of gravity and inertia, zigzagging giddily upwards, as vertiginous in their verticality as Brancusi’s Endless Column. In these amazing sculptures Cragg appears at times to be engaging in a private conversation with the great masters of early 20th-century sculpture.”

Cragg: “There is this idea that sculpture is static, or maybe even dead, but I feel absolutely contrary to that. I’m not a religious person—I’m an absolute materialist—and for me material is exciting and ultimately sublime. When I’m involved in making sculpture, I’m looking for a system of belief or ethics in the material. I want that material to have a dynamic, to push and move and grow.

“I also want that to happen over the course of making things, so that as soon as one generation of sculptures has gone up, another generation is coming on and things are growing up around me. That’s how it seems to work for me.”

The Liverpool-born visual artist is currently the director of Kunstakademie Düsseldorf, and has lived in Germany since 1977. He won the Turner prize in 1988, and for his services to art received a CBE in 2002. He also opened a sculpture park in Wuppertal, Germany. All his sculptures are handmade, and he is well-known for scorn of factory-made art; likening non-handmade works to relatives that one has never met.

 View Tiny Craggs work in a Waldfrieden Sculpture Partk in Germany

Tsvetana,

for the ArtChronicle





WHAT HAVE YOU DONE FOR YOUR ART LATELY?

7 01 2012

HOW RELEVANT IS YOUR ART?

A few weeks ago a good friend sent me a cut our from an article in a Northern California newspaper. The cutout was missing the subtitles in the corner … However – reading this short and yet powerful article – I decided as soon as I can – I will post it on this blog, since it is so relevant! In our daily lives as Artists and designers – recognition sometimes never comes soon enough . There are moments when you just wish you were someone else – not constantly working,  struggling – and when it comes to promoting your art- you take a back seat. No reason. Maybe you thin your art will speak for itself.  Or maybe it is too close to your heart  – or  you still think it needs to be perfected  … whatever the reason, you let it sit  in your studio. And time passes . The truth is – once you have created it – you have an obligation to share it! Forget the sales – forget the fact that very few can afford to purchase art. A sale may come or not – but if your art is worth it – it will leave a mark in someone’s life.  A memory – will awaken hope or  a dream or a sense of  belonging . Whatever the case may be – your art mean something to someone  – and you must show it for that t reason only.

Have we become do corrupted that we cannot say the word Art without infusing the word Money in it?  VALUE does not always have to do with money. The intrinsic value of your art is the one you must show the world.

What is intrinsic value?:” The intrinsic value of something is said to be the value that that thing has “in itself,” or “for its own sake,” or “as such,” or “in its own right.” (Stanford Encyclopedia of Philosophy)

If you put your heart in your Art – it will have value; intrinsic value to someone. And that is worth a lot more than any extrinsic value, expressed in modern currency. And that is worth a lot more than any extrinsic value, expressed in modern currency.  In the grand scheme of things – this form of value is of less importance, isn’t it?

What have you done for your art lately? Who did you show it to?

Here is Patrick Lydon’s Article:

ARTISTS MUST SHARE THE IMPORTANCE OF THEIR WORK

by Patrick Lydon

Recently a fellow San Jose Art Commissioner was speaking to a former firefighter. She mentioned her position on the commission, to which the man replied: “ Art? What is Art? I see them installing sculptures in front of the fire stations, but what does it do for us?”

The former firefighter essentially saw public art as a poor use of money that could be diverted to other utilitarian services. The commissioner dutifully retorted by explaining her point of view on how public art inspires us, educates us, makes us think, laugh, smile, fosters a sense of Community and generally makes our neighborhoods better places to live.
But Art is far more than this community and generally makes our neighborhoods better places to live. But Art is far more than this.
If you are an Artist, you might not notice the ubiquity of the firefighter’s sentiment, especially when you are around friends and family who support you. However, an overwhelming majority of people today for one reason or another do not understand how and why art and creativity are important.
And it is not their fault!
As artists we can’t so easily blame art literacy on those who don’t understand it, on school boards who cut it from the curriculum or on government for not supporting it financially. It is difficult to admit, but we first need to blame ourselves.
Those of us who understand the importance of art and the creative spirit are largely failing at making it a part of others lives – failing at teaching the importance of our craft, failing at reminding others every chance we get how important the arts have been to us, failing at showing how art and creativity can and should be an important part of everyone’s life.
Although art often competes poorly in people’s minds when put alongside science, math or even shopping, the use of art as an integral part of life actually predates the oldest of these activities by some 30,000 years. (See Chauvet in France, the topic of Werner Herzog’s new film “Cave Forgotten”) Art has long been one of the basic components of a balanced life.
Throughout history, the most successful developed societies have valued artists highly, not only for what they produce directly but also for the positive tangenial effect that their uninhibited creativity has on society as a whole. This mysterious gift of creativity that Artists wield has had a large part in shaping our world into what it is today. As difficult an idea as it may seem, without creativity and the arts, you and I could quite easily still be living in caves – and caves without drawings on the walls at that.
The definition of art is often confined to painting, sculpture and perhaps performing arts, but the art is far more broad than these disciplines. Whether we recognize it or not, art surrounds us. From the music on our iPod to the design of the chair we sit in, the effect of art enters our lives hundreds of times dally. Art is not relevant to us unless we are educated as to what it is and why it is not only important but necessary.
In order for that relevancy to be understood and maintained, the stories of art and creativity must be told again and again, and in as many times ways as possible for as many different types of people as possible.

So – for those of you who know the value of arts and creativity: WHAT IS YOUR CREATIVE ART STORY? AND WHOM HAVE YOU TOLD LATELY?

A few words about Patrick Lydon:

WHO IS PATRICK LYDON?

http://www.SocieCity.com

Editor-in-Chief
San Jose State University
About

A student of art, music, technology, and of the world around him, Patrick Lydon gained aesthetic and communicative training and interactions while earning his B.A. at San Jose State University. Following his studies, Lydon spent seven months traveling throughout East Asia and Europe, studying the energy and interactions between people, art, nature, and the urban space. From those experiences, his social/urban/nature research venture SocieCitywas formed, with content from a varied cast of authors, researchers, and artists, produced for consumption by the majority.

___________________________________________________

Perhaps Mr. Lydon does not realize it – but  his point of view has inspired  many.  This is my way of saying ‘Thank you!’

Yours truly,

Tsvetana Yvanova

for Art Chronicle





WILLIAM TURNER GALLERY in 2012

7 01 2012

A few notes of my favorite gallery – William Turner Gallery has represented mid-career and emerging artists since its inception in 1991. William Turner Gallery began on the historical “Market Street” in Venice, California. The gallery now occupies an impressive 5000 sq. foot space at the Bergamont Station arts Center in Santa Monica, California.

Focusing on museum quality exhibitions and secondary market art sales, William Turner Gallery has upheld a reputation for representing some of the most exciting contemporary artist’s in LosAngeles. The gallery’s knowledgeable staff works hand in hand with clients, contemporary interior designers, and architects to match investment quality artwork with the most refined living and corporate spaces.

The Gallery is  located at  2525 Michigan Avenue,Santa Monica, CA (310) 453-7535.

The reception is at 6 pm .  Hope to see you there, Art Enthusiast!!!!

Yours Truly,

The ArtChronicle





LA ART SHOW IS FINALLY HERE!

7 01 2012

THE LA ART SHOW  HAS A NEW FORMAT!

Seems that the New Year 2012 – The Year of the Dragon – starts off with a splash for the Art world! With new ideas, new shows, new enthusiasm, and a new format for the show! It is actually three shows in one -  read on – and most of all ATTEND!  Seeing the work of so many creative powerhouses can be a very spiritual experience …It is for me!  I remember in past Art  shows – how impressed and moved I was by the transformational power of Art – especially the Los Angeles Company, The LA ArtMAchine-- who channels the talents of  local Graffiti Artists to elevate their ideas to a new plateau.  This transforms lives. ART transforms lives.  Art has the power to save! Better than religion, better than politics and certainly better than wars . Art and Love has always been intertwined in  literature in poetry. It is because it is in the very core of our DNA to create.  Creativity is based on light, truth and has a power, that transforms. You may disagree – but you know I am right. Read on!

…and have  A Happy New 2012 Year!!!!!

David Arquette, The Art of Elysium, the J. Paul Getty Museum Education Department, the Fine Art Dealers Association, the International Fine Print Dealers Association, Los Angeles Art Show LLC., and KR Martindale Show Management cordially invite you to attend the Opening Night Premiere Party of the 2012 Los Angeles Fine Art ShowLA Art Showand the LA IFPDA Fine Print Fair.

Join David Arquette and LA’s top collectors and benefactors for an evening celebrating creativity, diversity, and charity. Enjoy culinary, visual, and cultural delights as well as the unique compelling artistic expressions of Jim Dine, Ed Ruscha, Gorky, Thiebaud, Warhol, Botero, Guy Rose, Picasso, Camille Pissarro, Renoir, and more. Participate in the must-attend event of the year, support the community, and enjoy a magical evening of art.

DON’T FORGET TO ATTEND!!! JANUARY 18 HERE IS THE LINK:

THE LA ART SHOW

HIGHLIGHTS FOR THE 2012 OPENING NIGHT PREMIERE PARTY

An installation by performance artist Mark Mothersbaugh, who will debut a much anticipated artwork combining sculpture and music in an interactive experience.A special re-creation of The Myths of Rape, originally performed in 1977 by Leslie Labowitz-Starus as part of Three Weeks in May. This unique event is part of Three Weeks in January, a new work by Suzanne Lacy presented by LACE as part of Pacific Standard Time.

SL_bwperformance                              LACE logo

CHINA PAVILION: Classic Buddhist Paintings: A Retrospective of Xia Jingshan. This unprecedented exhibit in the US will feature a retrospective of important works by this renowned Chinese master brush painter and will introduce the work of Xia Jingshan’s preeminent student Tong Hongsheng, bringing the voice of the next generation of the master’s Beijing-based school, Xia Xue, to light.

The exhibition will also showcase the re-creation of an elaborate reading room of an antique Qing Dynasty wooden home from Southern China.

HOPE TO SEE YOU THERE!

Yours Truly,

Tsvetana Yvanova,

For TheArtChronicle





LONDON-CASS FOUNDATION SCULPTURE PLANS 2012

21 10 2010

LONDON. Exhibition Road, home to the South Kensington museums, is to be lined with ten new and recent sculptures by UK artist Tony Cragg during the 2012 summer Paralympic Games.

The scheme to take over the pedestrianised thoroughfare is led by the Cass Sculpture Foundation, a charitable trust that commissions and sells monumental work on display at its 26-acre estate at Goodwood, near Brighton.
“As a partner of the Cultural Olympiad, we have been working on the Exhibition Road project for the past two years with the Royal Borough of Kensington & Chelsea,” says entrepreneur and philanthropist Wilfred Cass, who established the foundation in 1992. ( Right, Photo of Tony Cragg, Sculptor-www.tony-cragg.com. View a video of on Cragg’s work, click here.)

In another significant move, culture minister Ed Vaizey has expressed interest in the unique funding model of the foundation. Ahead of the 20 October comprehensive spending review, the politician was no doubt keen to discover how the organisation has survived without receiving any funding from state-backed bodies such as Arts Council England.
“The charity’s simple business model effectively means that no outside funding is necessary,” says Cass. “The overheads of the foundation are paid for in full by admission charges and events.” Ed Wilde, technical director at the foundation, says: “When a piece by a particular artist is sold, we will commission another work from them using the foundation’s half of the proceeds. This effectively means that the artists will benefit from 100% of the net profit of a sale, even though the contractual fee is 50/50.”

The sculpture park attracts about 18,000 visitors a year, who pay £10 each to enter. Major sales recently have been to foreign collectors such as Portuguese billionaire José Berardo.

“People find it difficult to understand that a charity can also be commercial but isn’t this the kind of scheme favoured by the current government? With institutions such as the arts council and museums throughout the country facing major cuts, we see our role as working more closely with these bodies,” adds Cass.

 

 

 

VITAL FACTS ABOUT THE CASS SCULPTURE FOUNDATION

The Cass Sculpture Foundation has won a broad international reputation by carefully honing its expertise in the commissioning and sale of large-scale sculpture from the finest British artists.

Profits from all sales are split equally between the artist and the foundation to date we have displayed over 440 new sculptures and have provided an internationally renowned platform for a significant number of British sculptors.
We are now extending our visibility and international profile by planning a major series of events outside of Goodwood.

 

 

Tsvetana Yvanova

Editor,The Art Chronicle





TURNERGALLERY – Presents Andy Moses

21 10 2010

One of my favourite galleries,William Turner Gallery at Bergamont station, Santa Monica, presents Andy Moses paintings. Watch Andy Moses on YouTube, present his work in his own words . To watch, Click on the image below.


RECEPTION:

SATURDAY, OCTOBER 23, 3:00 – 6:00 PM

OCTOBER 23 – DECEMBER 4,

2010 WILLIAM TURNER GALLERY

2525 Michigan Avenue E-1

Santa Monica, CA 90404 PH: 310.453.0909

www.williamturnergallery.com

 

Some brief facts about Andy Moses:

Biography
1962 Born in Los Angeles, CA
1979 – 1982 California institute of the Arts, Valencia, CA
Exhibitions
2006 Gallery C, Hermosa Beach, CA
2006 George Billis Gallery, Los Angeles, CA
2006 McClain Gallery, Houston, TX (solo)
2006 Patricia Faure Gallery, Los Angeles, CA(solo)
2005 Patricia Faure Gallery, Los Angeles, CA(solo)
2005 McClain Gallery, Houston, TX(solo)
2005 Berman Turner GalleryLos Angeles, CA
2004 Patricia Faure Gallery, Los Angeles, CA(solo)
2003 Off Main Gallery, Los Angeles, CA(solo)
2003 Gallery C, Hermosa Beach, CA
2003 Double Vision, Los Angeles, CA
2002 Anita Shapolsky Gallery, New York, NY
2002 Arts Manhattan, Manhattan Beach, CA
1998 Lenora Vega Gallery, New York, NY(solo)
1997 Nabi Gallery, Sag Harbor, NY

 





You Tube Has Entered the World of Art!

19 02 2010

You Tube Has Become the New  Mecca of Visual Art !

Not until recently -  have I become familiarized with the opportunities YouTube has offered to Artists!  It all started as a simple means to be able to  present to all who are willing to view my art a means to just see it up close and in detail, without going to a gallery! Finally, using this simple premise and without any prejudice of my lack of formal video training – I approached the issue with the Nike moto in mind – “Just do it!”  And I did .  In the duration of one week – I produced six brief videos, which serve the sole purpose – to present the artwork in person without narration. From now on – the road to improvement is wide  open!  I am looking forward to improving the quality of these mini-art clips in the near future.  For the time being – enjoy the ones already in circulation. Here is the link:

www. youtube.com/stylevieworg.

This link will lead to the Channel for art videos.  And finally -  it would be a thrill if you decide to to let me know which one you like the most! If you do decide to subscribe – thank you in advance! On the left is  another sample of Art on video – the link for this Artist  is www.youtube.com/camoec. Have a look – you may be pleasantly surprised!!

Tsvetana Yvanova

http://www.TheArtChronicle.com






Michael Jackson Portrait

13 01 2010

Kehinde Wiley’s monumental commissioned portrait of Michael Jackson is being unveiled this week at Deitch Projects (F1). The 32-year-old US painter was contacted by Jackson in 2008 after the performer saw the artist’s work at the Brooklyn Museum of Art. “I was receiving messages saying Michael Jackson wants to reach you…and I ignored them because quite honestly I thought it was a prank,” said Wiley. After a friend verified the request, Wiley set up a conference call with the performer, which he taped and transcribed. According to the artist: “He was also very  . . . . . .READ ON.





Los Angeles Art Show Jan 20-24, 2010

13 01 2010

January20 – January 24 at The LA Convention Center

The 15th Annual Los Angeles Art Show has changed the dates of the 2010 fair to January 20-24, 2010. The Los Angeles Art Show will take place at the Los Angeles Convention Center and with an Opening Night benefit to take place on Wednesday, January 20th, 2010. Presented by the Fine Art Dealers Association (FADA) and KR Martindale Show Management, show organizers collectively decided to make the shift so that the fair would not overlap the Grammy Music Awards, scheduled to take place at the end of January.  .  Read on.

Calendar of the  Art show.





A Visit To William Turner Gallery-Santa Monica

13 01 2010

By T. Yvanova

I really like this gallery – there is something about it, generous in  its space and openness to the visitor – centered in the heart of the Bergamont Station. Great location, great selection of artists and fabulous opening parties . . .I  briefly breezed through the work of Ned Evans. Large scale, vibrant colors, clean execution – the purely decorative ambiance of this  series is very pleasing to the eye.  The numerous multicolored straight lines move  in a variety of  angles. To me – it was fun to look at. Emotion came from  the mind – from the colorful  mind games on  the canvas in front of you . . .4 stars.
Visit the Bergamont Station – here is their calendar!








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